Mass Journal 03

This issue presents Where The Flow Ends, an ongoing project by Mass Collective about water and how humans shape and alter its flow, set within the unique environment of the River Severn estuary.

Marking the boundary between England and Wales, the River Severn has seen nature and industry rise and fall over time. The project explores a place where raw and processed water flow against one another and poses the question of how we will choose to shape our future relationship with the river.

Featured Photographers: Caroline Charrel, Simon Kennedy, Andrew Meredith, William Morgan, Luca Piffaretti, Francesco Russo, Polly Tootal, Henry Woide

Specification:

• First edition of 250

• A5 size (148 x 210 mm)

• 52 printed pages, 130 gsm silk paper

• Cover 170 gsm uncoated paper

• Staple bound

For more information about our zines, please see our Buyer Guide.

Please note that zines ship separately from all other items within the same order.

Avonmouth, UK, 2023
by Henry Woide

A tributary of the River Severn carries pollution from the industrial estate of Avonmouth into the river’s estuary. Upon close inspection, kaleidoscopic surreal hues of toxic chemicals and heavy metals reveal the dichotomy of their beautiful colours, shapes and patterns.

This image is part of Where The Flow Ends, a series documenting the Severn, the longest and most polluted river in the UK. Along its course, human life, industry and nature rise and fall over time, echoing the tides of the Bristol Channel.

Specifications:

• Size 18x24″ open edition

• Digital print on 189 gsm matt paper

• Giclée print quality

• Unframed

To know more details about this print see the Buyer Guide.

* Posters ship separately from all other items within the same order.

John Taylor Bellfounders

Mass Journal 02

This issue presents Chime Ding Cast Tin, an ongoing project by Mass Collective documenting the last major bell foundry in Britain.

John Taylor & Co operates the largest bell foundry in the world in Loughborough since 1839. The photographs document the processes and the people involved, within a timeless industrial environment that will soon undergo substantial changes. These are the last days of the foundry as it’s been known since its foundation.

As you turn these pages you move through the process of the creation of a bell, from casting to tuning. The visual narrative is accompanied by the recordings of sounds, noises and voices of the people working at the foundry.

Photographs: Luca Piffaretti, Francesco Russo, Henry Woide

Sounds: Luca Piffaretti

Words: Diane Smyth

Design: Stanley James Press

Specifications:

• First edition of 200

• 52pp - 130 gsm silk paper

• Multi-layered triple cover - 135 gsm uncoated paper

• 158 x 210 mm

• Staple bound

• Accompanied by audio recordings

To know more details about this zine see the Buyer Guide.

* Zines ship separately from all other items within the same order.

Loughborough, UK, 2022
by Henry Woide

An air bubble causes a “roman candle” of sparks to fire from the metal bell furnace. This photo is part of Chime Ding Cast Tin, a photographic project documenting the last major Bell Foundry in England and the people and skills involved in the craft of producing bells.

Specifications:

• Size 18x24″ open edition

• Digital print on 189 gsm matt paper

• Giclée print quality

• Unframed

To know more details about this print see the Buyer Guide.

* Posters ship separately from all other items within the same order.

The Polycentric City

Mass Journal 01

This issue presents Londons, the first long term collective project conceived and curated by Mass Collective. Started from the desire to explore a common subject matter through a plurality of points of view, it documents the changing face of our city offering a snapshot of what is London in 2021.

Mass Collective invited a selected group of photographers to explore an area of their choice and bring their personal interpretation to it. The result is a collection of projects that stand out for their individuality but work as collective research into the changes that our city is undergoing.

This self-published zine has been produced to complement the work on show at the first Mass' Collective exhibition.

Photographs: Sue Barr, Caroline Charrel, Simon Kennedy, Andrew Meredith, Luca Piffaretti, Francesco Russo, Polly Tootal, Henry Woide

Words: Diane Smyth

Design: Stanley James Press

Specifications:

• First edition of 200

• 52pp - 130 gsm silk paper

• Multi-layered triple cover - 135 gsm uncoated paper

• Size A5 (148 x 210 mm)

• Staple bound

To know more details about this zine see the Buyer Guide.

* Zines ship separately from all other items within the same order.

London, UK, 2021
by Henry Woide

In Greater London's Green Belt, where land is protected, infrastructure still exists. Scaffolding is a precursor to urban growth. It signifies a space to be constructed, owned and contained. In the image, part of the series Road to Nowhere, the attention is drawn by the stark artificial intervention in the landscape highlighted by vivid abstract colour.

Specifications:

• Size 18x24″ open edition

• Digital print on 189 gsm matt paper

• Giclée print quality

• Unframed

To know more details about this print see the Buyer Guide.

* Posters ship separately from all other items within the same order.

Dartmoor National Park, UK, 2020
by Henry Woide

No Moor explores the industrialisation that once shaped the landscape of Dartmoor National Park. These structures with time have degraded into obsolete forms not fit for their original purpose but almost natural in their appearance. They now appear to have been constructed by the landscape itself. A red brick embankment used to take mortar fire and ammunition by the military in World War Two obscures the Moor's horizon.

Specifications:

• Size 18x24″ open edition

• Digital print on 189 gsm matt paper

• Giclée print quality

• Unframed

To know more details about this print see the Buyer Guide.

* Posters ship separately from all other items within the same order.